Babarabatiri perez prado biography

  • Dámaso Pérez Prado (December 11, 1916 – September 14, 1989) was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s.
  • The man behind the new sensation was the Cuban pianist, composer, bandleader, and showman Dámaso Pérez Prado.
  • Pérez Prado Plays Mucho Mambo for Dancing is an album by Pérez Prado and His Orchestra.

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    Pérez Prado Plays Mucho Mambo for Dancing

    1950 studio album by Pérez Prado and His Orchestra

    Pérez Prado Plays Mucho Mambo for Dancing is an album by Pérez Prado and His Orchestra. It was released in 1950 on the RCA Victor label. The album includes Prado's Mambo No. 5.

    In December 1950, Bob Goddard in the St. Louis Globe-Democrat described the album as "scorching" and concluded: "It's utterly impossible to sit still while any of this is going on."[1]

    In a 2024 ranking of the 600 greatest Latin American albums, Pérez Prado Plays Mucho Mambo for Dancing was ranked No. 42. Reviewer Ernesto Martín del Campo called it one of the "fundamental albums of Latin music," one that "invites both sweaty dancing and attentive listening."[2]

    Track listing

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    Side A

    1. Mambo No. 8
    2. Pachito E-Che
    3. Oh Caballo

    Side B

    1. Pianolo
    2. Mambo No. 5
    3. Babarabatiri

    References

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    External links

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    Dámaso Pérez Prado

    Dámaso Pérez Prado (December 11, 1916 – September 14, 1989) was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s. His big band adaptation of the danzón-mambo proved to be a worldwide success with hits such as "Mambo No. 5", earning him the nickname "King of the Mambo". In 1955, Prado and his orchestra topped the charts in the US and UK with a mambo cover of Louiguy's "Cherry Pink (and Apple Blossom White)". He frequently made brief appearances in films, primarily of the rumberas genre, and his music was featured in films such as La Dolce Vita.

    Pérez Prado began his career as pianist and arranger for the Sonora Matancera, an internationally successful dance music ensemble from his hometown of Matanzas. He later established his own group and made several recordings in Havana in 1946, including "Trompetiana", a self-penned mambo and one of the first examples arranged for big band. He then moved to Mexico where he developed this particular genre in multiple forms, including bolero-mambo (with María Luisa Landín), guaracha-mambo (with Benny Moré) and two forms of instrumental mambo he created: mambo batiri and mambo kaen. The success of his 1949 recordings landed him a contract with RCA Victor in the US, which

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