Harvey sachs beethoven biography

  • Part cultural history, part music history, and part biography, this engaging book documents how Beethoven's last symphony brought forth the power of the.
  • Part biography, part history, part memoir, The Ninth brilliantly explores the intricacies of Beethoven's last symphony—how it brought forth the power of the.
  • Harvey Sachs is a writer and music historian and the author or co-author of eight previous books, of which there have been more than fifty editions in.

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    --Placido Domingo



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    The Ninth: Beethoven and the World in

    May 24,
    I picked this up from the library on a whim, and was listening to Beethoven’s 9th at work, between stretches of this book. Somehow, either through sheer coincidence or terrifying loss of privacy, a banner ad on one of my news apps sold me a performance of Beethoven’s 9th at the Hollywood Bowl, to attend *this week*.

    I really loved this book. By starting with one work of art, Sachs zooms out to look at the life and times that created it, theorizing on the zeitgeist of Romanticism that validated it. Core to this is the rampant oppression that Beethoven and his contemporaries felt following the Congress of Vienna. Sachs’s genius summary of this theory is worth quoting at length:
    The inward searching nature of artistic developments after the Congress of Vienna was in part a subconscious, self-defensive tactic for avoiding despair over the condition of restoration Europe. Anyone who has lived under repressive regimes in more recent times will understand the phenomenon. In order to survive, you are forced to pretend to believe in something in which you do not believe, and what that may in fact detest. At the same time, you cannot help but wonder of what conceivable use or consequence your survival could be under such circumstances. B

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    Photo: Alexander Lewis, New York

     

    Harvey Sachs, writer and music historian, published his twelfth book in  SCHOENBERG: Why He Matters, issued by Liveright (New York and London). It was hailed in the New York Times Book Review as one of the " Notable Books of " Also in the Book Review, composer John Adams described the book as "an immensely valuable source for anyone desiring an accessible overview of this endlessly controversial and chronically misunderstood giant of 20th-century music." Music critic Tim Page, writing in the Wall Street Journal, praised Sachs's "personal asides [which] give a reader the sense that a brilliant teacher is not only leading us through the music but discovering it once more for himself." Washington Post book critic Michael Dirda wrote: "In his brisk and engaging biography Sachs makes a compelling case for some of the most difficult and intimidating music ever written." Spanish and Italian editions have been published, a Hungarian translation is about to appear (November ), and a US/UK paperback is scheduled for March

     

    There are now more than eighty editions in seventeen languages of Sachs's books. TEN MASTERPIECES OF MUSIC was published in

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