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Never Unlisted Philadelphia
Editor’s Note: A version of this story was published in the Winter issue of Extant, a publication of the Preservation Alliance for Greater Philadelphia.
Unlisted Philadelphia highlights interesting and significant Philadelphia buildings not yet listed on the Philadelphia Register of Historic Places. To learn more about the local designation process and how you can participate in nominating a building to the Philadelphia Register, visit the Preservation Alliance for Greater Philadelphia’s website for more information.
Left: Philadelphia International Records. Right: Regency Ballroom & Philadelphia Fine Print Shop | Illustration: Ben Leech
Philadelphia International Records
Address: South Broad Street
Built:
Architect: Abraham Levy
The demolition of South Broad Street, the former location of Philadelphia International Records (PIR), both saddens and angers me. Although the building was not listed on the Philadelphia Register of Historic Places, it was a place where history happened. PIR owners Kenny Gamble and Leon Huff wrote and produced songs that were the soundtrack of our lives. Indeed, people all over the world grooved to &#;The Sound of Philadelphia.&#; At the same time, the message in Gamble and H
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Selected Solo Exhibitions
Selected Group Exhibitions
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'Dox Thrash, Black Life, and the Carborundum Mezzotint' opens at the Palmer
UNIVERSITY PARK, Pa. — "Dox Thrash, Black Life, and the Carborundum Mezzotint," a new exhibition opening Jan. 16 at the Palmer Museum of Art at Penn State, showcases the works of American printmaking pioneering Dox Thrash and his carborundum mezzotint printmaking process.
This remarkable exhibition brings together 47 works on loan from public and private collections that reveal the experimental printmaking process, known as the carborundum mezzotint, pioneered by Thrash (), a Philadelphia-based artist who was a noted participant in the New Negro movement of the s and '40s.
“This exhibition sheds important light one of the great figures in the history of American printmaking, and how he used the carborundum mezzotint process, along with other media, to chronicle aspects of the African-American experience well before the dawn of the Civil Rights era,” said Erin Coe, director of the Palmer Museum of Art.
A veteran of World War I as well as the minstrel stage, Thrash trained at the School of the Art Institute of Chicago before making his way to Philadelphia, where he ultimately forged a career as both a painter and a graphic artist.
In , Thrash signed on for employment with the Federal Ar